How is ethnicity represented in the clip
from Hotel Babylon?
One way that ethnicity is presented in Hotel Babylon is through pity. We see this throughout the clip and the director uses this technique through a variety of ways, including positioning to make the audience sympathies with the migrant workers.
The director uses position from the start in Hotel Babylon, they
make you feel like you are on the side of the migrant workers and that you
should feel sorry for them. The use of the camera work going from Steadicam when the
immigration officer comes in compared to when the receptionist gives the signal
and it switches to handheld connotes the idea that there is a
problem and you instantly fear for the workers. This feeling also occurs when
Jacky, the seen to be organizer of the migrant workers finds out about the
raid, there is instantly shouting and upheaval in the background which you can
hear, this is diegetic sound. The sound of the upheaval enforces your assumption
that this is a problem and again makes you pity the migrant workers as you know they may
be in danger.
Another use of diegetic sound in this clip to illustrate pity is when
the immigration officers emerge from the lift, we see and hear Ibrahim gasp, we
obviously get from this that he is in danger and is not in a positive situation
which positions us in an atmosphere of pity as the scene foreshadows what is going
to happen to him.
Another way that they attempt to represent pity is through fast paced editing, this creates
the representation of pity because the fast paced editing creates the
impression that the situation is rushed, frantic and uncontrolled, which makes
you feel pity as these elements connote to danger.
Another way that ethnicity is presented in this clip is through
the contrast in power. Jacky who is the organizer is given significant power
and has a set of keys and is seen to be responsible for the migrant workers,
the fact that she is of Asian dissent often seen as wise, powerful and calm
hence why the director has put her in a position of care.
The next significant show of power is the use of a tracking shot following the path of the immigration
officer, the fact that we have to follow his actions demonstrates that he is of
high importance of power because he controlled the situation as every shot on
him is a Steadicam whereas any frame with migrant workers was handheld.
The next illustration of the contrast in power is using mise en scene, all of the
migrant workers are in unprofessional uniform and in unskilled work because
they are seen to have no choice, we see this when the diabetic female passes
out in the basement and it appears that the black cleaner was originally a
doctor prior to his migration, he exclaims ''I wasn't always a cleaner you
know''. this juxtaposed with the fact that all the workers from non-ethnic
minorities are in suits and more presentable uniform, this gives the representation
that ethnic have no choice in their line of work meaning they have less power,
these are called binary opposites.
Also before the ''raid'' happens the staff have no individuality
or persona, this is the stereotype that immigrants are ''nobody's'' and have n
real purpose, it is not until crisis when we start to see them as individuals
like Zenab and Ibrahim. During the clip they use costume to identify the immigrant’s
status.